WELCOME TO JUST AN ART FANATIC

I guess you could call me an aspiring art critic, an admirer of Clive Bell and Frida Kahlo reincarnated with a dash of Rococo.

 
 
 
  • Alexia Morris

Unconscious Landscape

I've always admired looking at the extent of art in people's collections. This fascination started when I saw the collection of Peggy Guggenheim in Venice, where she had a collection of works by Francis Bacon in a dream-like location on the canal and you could see not only what interested her but the growth and thought put into everything she acquired.

I visited the Hauser and Wirth in Somerset, rather random location I thought for a gallery which is also in New York and London, and there I saw Ursula Hauser's exhibition,'Unconscious Landscape', which includes works from her personal collection. The aspect which particularly drew me to this exhibition was the fact that all the works in the exhibition were by female artists. I do love embracing the works of female artists and celebrating this newly acquired power and recognition that some females now obtain. What also fascinated me was the duration period of the works. I have become very interested in the more contemporary and modern style of art due to the limitless amount of methods and techniques which completely batter the original rules of conventional painting. This exhibition embodies the modern idea of experimentation and 'the skies your limits'. The subject of motherhood, maternity and feminity were all captured, especially, for me, by the artist Louise Bourgeois. Her famous spiders have always caught my attention but I never thought that the first time I would see these incredible masterpieces was in Somerset...

Her haunting pieces bring to life her childhood traumas which are replicated in these disturbing and torturous installations. She brings her darkness to life. The exhibition begins with the display of her Cells series which explains her traumas more vividly than the anthropomorphic spider installation. It highlights abandonment, fear and the general idea of being lonely. I felt extremely connected with this series, and these ideas hit, on a personal level. I could not only see her pain but I could feel it and I can relate to it. This pieces and Ursula Hauser and so beyond their time as they tackled and responded to issues behind and surrounding womanhood which has only just been reflected on. Only now do we recognise and discuss maternal tragedies such as stillbirth and childhood traumas which are linking to the global issue of mental health. This was not just admiration of women's work and the abstract movement but rather this exhibition embodied how long it has taken us to tackle the issues shown.

Finally, the spider... what makes it feminine and how does an insect which scares a majority of the human race link to such humanly emotions? I am going to leave you with this quote by Louise Bourgeois:

“The spider is a repairer. If you bash into the web of a spider, she doesn’t get mad. She weaves and repairs it.”





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A BIT ABOUT ME

My name is Alexia and I am 20 years old. I am currently studying History of art at Oxford Brookes University and found that it has inspired me to really look at art with a different eye. I follow a critic called Jerry Saltz on Instagram and through reading his work and looking at the writings of Vasari and Clive Bell I have realised that I have an extreme love for writing and talking about art. I do paint in my spare time and have always loved it but I have always found it so interesting to learn new things about artists. I remember learning about the life of Toulouse-Lautrec when I wrote about Women at their 'toilette' for my A-level coursework and being completely fascinated by his absinthe addiction and what he got up to. When you find out about the life and personality of an artist it really changes your opinion on their works which is not necessarily a good thing but it is something which is completely relevant. When I learnt about The Bloomsbury group and how they intended to dissociate form, colour and lines with a subject matter I learnt this new way of observing art. I always find that keeping an open mind no matter how hard it may be is the only way to fully and truly appreciate a piece, so that is what I intend to use this blog for.

 
 

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Cara Thayer and Louie Van Patten study.j